When Florida Congressman Alan Grayson called America’s level of uninsured people a “holocaust,” he did more than touch a few nerves.
Taking the inability or unwillingness of millions of Americans without health insurance and planting in many the imagery of the systematic deaths of over 10 million people in the 1940s, Congressman Grayson made a statement that was far beyond the line. However, considering the rhetoric used in modern politics, it is hardly a surprising analogy.
Coupled with these terms are always the inevitable parallels to World War II. “The Good War” is always selected as the morality tale on behalf of every modern day intervention, be it domestic or foreign. For example, Moammar Gaddhafi, Slobodan Milosevic, and Saddam Hussein have all been tagged “the second Hitler” making Mahmoud Ahmadinejad at least the fifth Hitler by this count.
All of these criminals have been labeled a “Hitler” at one point or another and, of course, “second Holocaust” usually follows shortly thereafter.
These images to World War II, Hitler, and the Holocaust are always convenient in making a political point, often out of desperation. No one in polite society would say that they disagree with the outcome of World War II, think Hitler was just misunderstood, or that the Holocaust was a good event that should be commemorated on the church calendar. No. Those three are the greatest consensuses in the western world.
Since nobody thinks the Holocaust was good, who would dare oppose anything when the alternative would be a “holocaust”? Don’t want a holocaust? Well, we’d better pass this health care legislation. Don’t want a holocaust? We’d better take out Saddam Hussein. Don’t want a second Holocaust? Then you know what we should do with Ahmadeinjad.
Likewise, recent news that the Iranians have an underground nuclear facility near the city of Qom, southwest of Tehran, has elicited the usual catcalls of “appeasement” and the necessity of regime change or sanctions in Iran.
Not satisfied with only having wars in Iraq and Afghanistan, neoconservatives and warmongers in both parties are anxious to begin the bombing of Iran over weapons no one can say with any certainty that they have.
A lot of people were convinced that Saddam Hussein had weapons of mass destruction that could hit either the U.S. or Israel. Nothing of the sort was found and Iraq proved to be far weaker that we suspected. As for Israel, their actions in Lebanon in 2006 and Palestine last year should prove that they are more than capable of defending themselves. Plus, whether Iran would be able to hit Israel should be immaterial to America. Israel’s security is Israel’s responsibility.
But it’s the specter of “holocaust” that is meant to fill Americans’ minds with images of destruction, carnage, and total death, whether there is evidence to justify the illustration or not.
The same is true with Congressman Grayson. There is no evidence to suggest that unless there is a “public option” or universal health care that people will just die by the thousands. Likewise, there is no evidence that Iran is using this new facility in Qom to build a bomb to drop on Israel. But the holocaust plea is issued when its users know their case is weak.
The public option and the road to universal health care in the short term is dying. Countless charges of racism against opponents of government sponsored health care have rendered any hope of meaningful or bipartisan reform moot. Eight years in Afghanistan with no end in sight and numbers turning against the enterprise make it difficult for President Obama to answer his general’s plea to plunge America further into the Afghan malaise. That same war-weary population is not willing to militarily engage Iran unless they know that THIS one is a genuine threat to us. So far it has not been demonstrated.
But this phenomenon ably demonstrates the bankruptcy of America’s two-party system and their collective pandering to the lowest common denominator. Every dying political cause can be reduced to Hitler, the Holocaust, or World War II. It’s time for Americans to awaken and see that instead of facing a holocaust around every corner, the problem is the politicians who talk down to Americans by using these references to scare them into total dependence.
It is insulting and demeaning to a free people.
Showing posts with label World War II. Show all posts
Showing posts with label World War II. Show all posts
Monday, October 5, 2009
Wednesday, October 29, 2008
A Neoconservative Carol
If someone locates my facebook profile, they will find a list of movies that includes "Airplane!" and the highly popular "Naked Gun" trilogy, all by the famous brothers Jerry and David Zucker. The classic spoofs have mocked movies and popular culture to my delight for years. This year, David Zucker, having had a political conversion of sorts, made a movie all neoconservatives and fervent war supporters are sure to love, “An American Carol.”
Responding to left-wing antiwar movies “Rendition” and “Redacted” that American soldiers were nothing more than murderers and that the whole War on Terror is nothing more than a crock, “An American Carol” sets to portray American soldiers as noble warriors volunteering out of selfless service to country and a burning obligation to defend freedom.
Kevin Farley, a lovable blob like his late brother, plays the fictitious Michael Malone, a character obviously based on socialist filmmaker Michael Moore, and a character whose only ambition is to see the United States dismantled. Kelsey Grammer breaks out of his Frasier Crane role to play the ghost of General George S. Patton. Through his airy portrayal, the audience is expected to believe that the dead Patton is even more “all-war all-the-time” than the live one. Together, the odd couple travels through history, a la “A Christmas Carol” to see how war has been used for good.
The central message of the movie seems to be that all wars are good as long as they are waged by the United States. In it, there is a sophomoric re-enactment of the infamous Munich peace conference of 1938 where that blundering idiot of a British prime minister Neville Chamberlain signed over the Sudetenland to Hitler, thus sealing the West’s fate by helping the Austrian corporal launch World War II. This comic book version of the events of 1938 is enhanced by the presence of the Japanese at the European peace conference, presupposing that like all wars, the nefarious henchmen are all united against everything that is good and free, i.e. the United States. It reminds one of President Bush’s now-infamous “Axis of Evil” speech in 2002, where he named Iran, Iraq, and North Korea as state sponsors of terror determined to threaten the United States, as if they were all united in a 3-headed monster of evil.
Back to the fake Munich: the point of this charade was to tell the audience that even talking to a potential adversary is tantamount to surrender, a classic neoconservative argument. And if you talk to that opponent, then expect them to become a genocidal maniac who will wage war on as many continents as possible.
On a note of history, the British probably could not have cared less whether ethnic Germans living in Czechoslovakia lived under German rule or Czech. The Munich conference was anti-climactic: war in Europe was probably already an inevitability once Hitler remilitarized the Rhineland in 1935 with no resistance, not when the Czech Germans were signed over to Hitler. And if anyone cares, the Japanese were thousands of miles from Munich.
Just as ludicrous was the characters' trip to a southern plantation where, in a world where there had been no Civil War, slavery still existed and the South’s “peculiar institution” still thrived. Never mind the fact that slavery vanished everywhere else in the West through gradual emancipation, not through bloody wars. The audience is supposed to believe that despite all the modernization and industrialization of the North, chained humans would be still be picking cotton to this day. Here is where the neocons’ undying devotion to Lincoln shines through: the ill of slavery could only be accomplished by war and no one can question the methods Lincoln used to bring them about. Today, the neocons impress upon the country that the president has unquestionable authority to fight terrorists and that the only way to defeat a network of terrorists not tied to a country is to invade and make war on countries we don’t like.
But perhaps the most unconscionable scene of the movie was a group of soldiers about to be deployed, who were all praying. I do not contest a soldier’s right to pray, but the scene presupposes that American soldiers are on a divinely ordained mission to bring democracy to the Middle East. They may as well have opened up the Bible and said that salvation comes through the United States.
The prayer scene also smacks of emptiness because in it, the soldiers are supposedly praying for their own protection in battle. But in war, there is an unavoidable atrocity known as “collateral damage,” which is what happens when unintended targets, oftentimes civilians, get caught in the bombing of a strategic target. It is unfortunate and every war has to deal with it. What is unconscionable is the indifference many in our country have for it. Many Christians in this country think of our country’s venture into Iraq as a divine mission or that George W. Bush was ordained to become our president. War is a spiritual experience in this flick which is unsurprising since war is the chief article of the neoconservative faith. If there should be any praying done in war, my unsolicited opinion suggests it should be for its speedy conclusion, for one’s own protection, and for the protection of innocents. It rings hollow when Christians wail over the atrocity of abortion but are strangely silent when fellow innocents unjustly die in war.
Regarding all this cynicism spewing from my keyboard, someone might be wondering, why all this fuss over a movie? The Zuckers’ lampooned airplane disaster movies in the early 1980’s to the delight of many. Why is this movie any different? It is different because the issue of the movie is an always hot political topic: war. The other Zucker movies have been light-hearted and even a little political. In the second “Naked Gun” movie (“Naked Gun 2 ½: The Smell of Fear) President George H. W. Bush is portrayed as a bumbling fool and all the surrounding special interest groups are only concerned with destroying the environment. Since the early 1990’s, David Zucker has had some sort of conversion to the mainstream Right where war is the only answer.
There is still some slapstick humor, but it is forced and it gets clouded over by the political tones. The other Zucker movies are completely unserious and are a distraction from the trials of reality. Therefore it made laughing at this movie a little more strained because it took the matter of war so lightly. Yes, it was still a moderately funny movie but not the side-splitting one expects from previous Zucker flicks.
In this blog, much has been written about neoconservatives, their glorification of war, and their constant need for it. There are books one could read about neoconservatives, but watching “An American Carol” is a good introduction to the propaganda of their worldview without all of the hassle of actually reading.
Responding to left-wing antiwar movies “Rendition” and “Redacted” that American soldiers were nothing more than murderers and that the whole War on Terror is nothing more than a crock, “An American Carol” sets to portray American soldiers as noble warriors volunteering out of selfless service to country and a burning obligation to defend freedom.
Kevin Farley, a lovable blob like his late brother, plays the fictitious Michael Malone, a character obviously based on socialist filmmaker Michael Moore, and a character whose only ambition is to see the United States dismantled. Kelsey Grammer breaks out of his Frasier Crane role to play the ghost of General George S. Patton. Through his airy portrayal, the audience is expected to believe that the dead Patton is even more “all-war all-the-time” than the live one. Together, the odd couple travels through history, a la “A Christmas Carol” to see how war has been used for good.
The central message of the movie seems to be that all wars are good as long as they are waged by the United States. In it, there is a sophomoric re-enactment of the infamous Munich peace conference of 1938 where that blundering idiot of a British prime minister Neville Chamberlain signed over the Sudetenland to Hitler, thus sealing the West’s fate by helping the Austrian corporal launch World War II. This comic book version of the events of 1938 is enhanced by the presence of the Japanese at the European peace conference, presupposing that like all wars, the nefarious henchmen are all united against everything that is good and free, i.e. the United States. It reminds one of President Bush’s now-infamous “Axis of Evil” speech in 2002, where he named Iran, Iraq, and North Korea as state sponsors of terror determined to threaten the United States, as if they were all united in a 3-headed monster of evil.
Back to the fake Munich: the point of this charade was to tell the audience that even talking to a potential adversary is tantamount to surrender, a classic neoconservative argument. And if you talk to that opponent, then expect them to become a genocidal maniac who will wage war on as many continents as possible.
On a note of history, the British probably could not have cared less whether ethnic Germans living in Czechoslovakia lived under German rule or Czech. The Munich conference was anti-climactic: war in Europe was probably already an inevitability once Hitler remilitarized the Rhineland in 1935 with no resistance, not when the Czech Germans were signed over to Hitler. And if anyone cares, the Japanese were thousands of miles from Munich.
Just as ludicrous was the characters' trip to a southern plantation where, in a world where there had been no Civil War, slavery still existed and the South’s “peculiar institution” still thrived. Never mind the fact that slavery vanished everywhere else in the West through gradual emancipation, not through bloody wars. The audience is supposed to believe that despite all the modernization and industrialization of the North, chained humans would be still be picking cotton to this day. Here is where the neocons’ undying devotion to Lincoln shines through: the ill of slavery could only be accomplished by war and no one can question the methods Lincoln used to bring them about. Today, the neocons impress upon the country that the president has unquestionable authority to fight terrorists and that the only way to defeat a network of terrorists not tied to a country is to invade and make war on countries we don’t like.
But perhaps the most unconscionable scene of the movie was a group of soldiers about to be deployed, who were all praying. I do not contest a soldier’s right to pray, but the scene presupposes that American soldiers are on a divinely ordained mission to bring democracy to the Middle East. They may as well have opened up the Bible and said that salvation comes through the United States.
The prayer scene also smacks of emptiness because in it, the soldiers are supposedly praying for their own protection in battle. But in war, there is an unavoidable atrocity known as “collateral damage,” which is what happens when unintended targets, oftentimes civilians, get caught in the bombing of a strategic target. It is unfortunate and every war has to deal with it. What is unconscionable is the indifference many in our country have for it. Many Christians in this country think of our country’s venture into Iraq as a divine mission or that George W. Bush was ordained to become our president. War is a spiritual experience in this flick which is unsurprising since war is the chief article of the neoconservative faith. If there should be any praying done in war, my unsolicited opinion suggests it should be for its speedy conclusion, for one’s own protection, and for the protection of innocents. It rings hollow when Christians wail over the atrocity of abortion but are strangely silent when fellow innocents unjustly die in war.
Regarding all this cynicism spewing from my keyboard, someone might be wondering, why all this fuss over a movie? The Zuckers’ lampooned airplane disaster movies in the early 1980’s to the delight of many. Why is this movie any different? It is different because the issue of the movie is an always hot political topic: war. The other Zucker movies have been light-hearted and even a little political. In the second “Naked Gun” movie (“Naked Gun 2 ½: The Smell of Fear) President George H. W. Bush is portrayed as a bumbling fool and all the surrounding special interest groups are only concerned with destroying the environment. Since the early 1990’s, David Zucker has had some sort of conversion to the mainstream Right where war is the only answer.
There is still some slapstick humor, but it is forced and it gets clouded over by the political tones. The other Zucker movies are completely unserious and are a distraction from the trials of reality. Therefore it made laughing at this movie a little more strained because it took the matter of war so lightly. Yes, it was still a moderately funny movie but not the side-splitting one expects from previous Zucker flicks.
In this blog, much has been written about neoconservatives, their glorification of war, and their constant need for it. There are books one could read about neoconservatives, but watching “An American Carol” is a good introduction to the propaganda of their worldview without all of the hassle of actually reading.
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